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Manifestation of Armenian-Iranian Architectural and Artistic Interactions in the Exterior and Interior Formation of the Churches of New Julfa

Aris V. Shahdaryan

Abstract


This article attempts to reveal the manifestations of Armenian-Iranian architectural and artistic interactions in the churches of New Julfa, focusing on their unique characteristics and various influences.

New Julfa was created by the Armenians who were forcibly relocated to the territory of Iran by Shah Abbas I (1588-1629). This relocation not only served as a response to political and economic needs but also became a focal moment for the formation of the cultural and architectural identity of the created Armenian community in the Safavid Empire (1501-1722). Actually, the Armenian district of New Julfa, established in Isfahan in the early XVII century, represents a fascinating confluence of Armenian and Iranian cultures, particularly visible in the architectural and artistic styling of its churches. The interactions between Armenian and Iranian styles and principles not only highlight the unique identity of the churches of New Julfa but also reflect broader international artistic exchanges of the period. It was conditioned by the trade ties of Armenian merchants with Europe, as well as with the Near East and Far East. Indeed, the churches of New Julfa are notable for their unique architectural form and spatial organization, external and interior design. The used local materials in the Armenian churches, such as brick and tile, demonstrate the collaboration between Armenian and Iranian interactions. In terms of internal formation, the Armenian churches in New Julfa demonstrate the influences of both Armenian and Iranian features, as well as the European style, which is obvious in their interior decoration, such as frescoes and murals, tiles, and pictures. In other words, these churches combine Armenian Christian symbolism and Iranian elegance, resulting in the creation of a unique manifestation of both styles. Thus, the residential houses, churches, and other structures built in New Julfa during the XVII-XVIII centuries reflect a distinctive blend of Armenian architectural traditions and local Iranian influences, resulting in a unique architectural creation. At present, New Julfa is still a densely populated Armenian district in Isfahan with Armenian schools and more than a dozen remarkable churches.


Keywords


New Julfa, the Armenian churches, architectural and artistic interactions, Iranian and other influences.

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